At the 2009 Festival of the Arts in Laguna Beach, Calif., a portrait composed of painted screws hung on a wall. It had taken Andrew Myers six months and about 10,000 screws to finish this piece, and the artist stood by as observers paused to let their eyes take in the intricacy of the finished …
The island of Aruba is a place where genuine smiles beam from local faces; where houses painted mint, magenta and turquoise line the sun-drenched streets; where the word “tourist” seems an improper term for the visitors, who after mere hours of gallivanting through the electric collage of sights and sounds feel to be more at …
The Columbus Centre in Toronto welcomed more than 300 guests with food, wine, fashion, art and conversation at Saluti a Jerusalem. The cross-cultural event, hosted by Villa Charities and the Jerusalem Foundation of Canada, was in celebration of the historical ties and enduring friendship between Canada’s Italian and Jewish communities. Generous donors helped raise $165,000 …
The impatient, pixilated culture of the 21st century has managed to tug the carpet from beneath the art in-dustry’s feet, leaving artists and their craft in the dust while the world spins on. “It’s certainly a good time to buy art,” says Mario Parga, British artist and executive director of the inaugural World of Art …
On the ground level lobby of a nondescript building in Toronto, a fastened black door creates a visible contrast to washed-out walls in desperate need of a paint job. An unexpected hush sweeps through the dusky door, wherein a birthing cauldron of fashion rustles with the drop of every pin. With a push, a rusty …
On October 8, 2012, the Canadian arts community lost one of its most beloved and generous supporters. “I remember how his eyes lit up,” says Karen Kain, retired ballerina and the National Ballet of Canada’s artistic director, of her first encounter with Walter Carsen. He reminisced about his experience at a traditional geisha house during …
